They use custom made speakers made to the specifications ( subjective and objective ) that the studio provides.įor loudspeaker designers, making a loudspeaker that measure very well and keep folks at ASR very happy is easy. However, if one wants a speaker that evokes the same feeling that comes while listening to live music ( especially for their choice of music ), speaker designs that incorporate some "art " and " creativity " in the design which takes the designs beyond measurements are needed.ītw, there are many high end studios that don't use the typical studio monitors from ATC, Genelecs, PMC etc. If one's reason to own a speaker is to listen exactly to what the producer of the music decided to put on the cd, then a studio speaker that measures exceptionally well will suffice. Many a times, what comes on the cd does not really resemble what was played in the studio. A big reason why there are so many design approaches out there is also because of so much variances with mastering and music production techniques. I know people who use the proac response 1sc speaker for many years and will never change although they have the money to buy alternative speakers. The final product also depends upon the "intent" of the designer as well.Ī different approach is to pick a loudspeaker that makes you happy with most of your music. That is where the art, competency and creativity of the loudspeaker comes in. The really competent designers use measurement as a bedrock upon which they build a loudspeaker that evokes the same feelings that is evoked when one listens to live music. Especially with all the technology, industrial design talent and high quality drivers available these days. I may regret buying the 19s because they have revealed some other system weaknesses (perhaps, for eg my analogue front end - LP12/Aro/DV XX2MK2) and that may inspire some expensive upgrades.Click to expand.For loudspeaker designers, making a loudspeaker that measure very well and keep folks at ASR very happy is easy. I will play with some acoustic treatment to tame the room. If i had a non-naim system, the 11s might have been a better match for the room size. The 11 was a better fit for the small room and did not excite nodes as much as its larger sibling. I would be interested in comments from those who have tried the SCM 19 with both a Naim 250.2 and a Naim 300 as to whether this is a big step up in performance or merely incremental. I can see how the 19s would do well in an active system. I felt that the Naim 250.2 ( non-DR) is just enough power to drive the 19s. ![]() Ultimately the 19 seems easier to listen to longer term ( i.e. ![]() I bought the SCM 19 last week and they are now at home breaking-in.īoth were great performers but the SCM19's midrange and overall tonal balance is smoother and provides both more detail and tonal color. Thxs in advance for any advice for those who have knowledge of these speakers.Ī dealer popped up for ATC in my city so I had a chance to try both the ATC SCM 11 and the ATC SCM 19. I'll be using a Naim Pre 252 + amp 250.2 - which i assume would be OK in small room.Īs these are a British speaker, hopefully other forum members have used the 11 or the 19 in smaller rooms as well. I'm located in Canada and I don't have an ATC dealer any where near by (+ 1000 miles) and have been unable to get one to ship for demo.Īnyone have experience with the 11 or the 19 in a small room? The 19 seems to be the favoured speaker in terms of refinement and bass performance, but i wonder if it is intended for a bigger room than mine - especially if placed closer to walls? I researched on line without success. The newer model ATC's (with improved tweeter) i thought might be domestic friendly enough to partner with my LP12/Dynavector XX-2 front end. I tried Harbeth 3PESR and 30.1 and while great on Jazz and forgiving, otherwise lacklustre. It's practically a cube - so not a ideal space for audio.Īs it's a small room a sealed box design (or front ported/transmission design) appeals as i'll have to keep the speakers within aprox 1 foot of rear and side walls. The den is 9' x 11' ( or aprox 3 x 3 meters) with 10 foot ceiling and a large 6ft archway opening in one of the 4 walls ( speakers would be projecting parallel to that wall opening). I have moved house and as result splitting my stereo into an analog system in a small den and computer based audio in a larger room.
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